Archive

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Magazine anorak Tupac Cruz Alkisti Efthymiou & Shaka McGlotten Douglas Rogerson Tom Rosenberg Mike Sperlinger & Madeleine Bernstorff James N. Kienitz Wilkins & Andrew Norman Wilson Ana Wild & Johanna Markert schloss-post.com[/vc_column_text][vc_column_text css=".vc_custom_1554763239368{padding-top: 15px !important;}"]There is no identity without difference. But the unsettling feeling of being a stranger to yourself often gives rise to the question – what do we give up when estrangement becomes

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Film Premiere and Launch of Gemini Katharina Jabs Thursday 26 September 2018, 9pm at Delphi Kino followed by Premiere Party Last Exit to Paradise: Celebration? Realife at Climax Institutes[/vc_column_text][vc_column_text css=".vc_custom_1554807307050{padding-top: 15px !important;}"]“As you may know a species of feral cats lives on a small, saltwater surrounded island. Moving on strange elliptical inscriptions, the ones getting off track are assumed to

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Publication Launch, Reading, Dinner Mike Sperlinger, Madeleine Bernstorff Friday 26 October 2018, 6pm at Delphi Kino followed by a dinner at Künstlerhaus Stuttgart[/vc_column_text][vc_column_text css=".vc_custom_1555241354734{padding-top: 15px !important;}"]It is necessary to establish

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Performance Daniel Hopp, Wolfgang Kerim Schroeder, Liliana Orsini 18 – 20 November 2018 Solitude project space Römerstrasse 2A, Stuttgart[/vc_column_text][vc_column_text css=".vc_custom_1554759300917{padding-top: 15px !important;}"]On Sunday 18 November, Hamburg based artist and filmmaker Daniel Hopp, together with his leading actor of JUMP, Wolfgang Kerim Schroeder, hosted a brunch accompanied by a reading and film screening on the upper floor of Akademie Schloss

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Installation, Text anorak 9 – 16 December 2017 Solitude Project Space Römerstraße 2a, 70178 Stuttgart[/vc_column_text][vc_column_text css=".vc_custom_1555246326588{padding-top: 15px !important;}"]Okay is that which is acceptable, yet not fully satisfying. How comes that okay is, according to BBC News, the most used word in the world? Is okayness buffering global mood swings, forcefully absorbing ecological dread, violence, peace, pleasure and progress, the ultimate

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Exhibition Beuteltier & Claudia Heinzler Björn Kühn & Anna Romanenko Nick McHarg Signe Raunkjær Holm Emily Wardill 23 April – 14 May 2017 Opening, 23 April 2017, 6pm Leopoldstrasse 2, 76133 Karlsruhe[/vc_column_text][vc_column_text css=".vc_custom_1555247230059{padding-top: 15px !important;}"]The ceiling and the floor fell in love, but only the wall knew.* Is this the outcome of them being close? Does this even seem plausible to you? Imagine a narrative as

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Exhibition Gerald Domenig, Bryony Hussey Lily Randall 8 October – 25 October 2016 Opening 7 October 2016, 6pm Palermo Galerie Stuttgart[/vc_column_text][vc_column_text css=".vc_custom_1554410142298{padding-top: 15px !important;}"] Among all the connections we make, all the models, formulas and systems we use to explain coherences, that allow us to be part of something — is there a mood, or an atmosphere, so profound, so profane, banal, and

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Conversation Alkisti Efthymiou Thursday 20 October 2016, 7pm at Künstlerhaus Stuttgart[/vc_column_text][vc_column_text css=".vc_custom_1555241871606{padding-top: 15px !important;}"]It’s hard to know what we institute when we don’t institute but we do know what it feels like. —Stefano Harney and Fred Moten Confusion, exhaustion, boredom and often bitterness is a two-part conversation with Alkisti Efthymiou looking at the affective reality of work in precarious (almost)

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1551440728256{padding-top: -100px !important;}"][vc_column width="1/2"][vc_column_text]Screening, Conversation Bryony Hussey Sunday 2 October 2016, 7pm at Palermo Galerie[/vc_column_text][vc_column_text css=".vc_custom_1554409916314{padding-top: 15px !important;}"]When you catch the light in the hall with the corner of your eye, through that top bit of the window above the door. You know that top bit? By the time you register what it is it's gone. Bryony Hussey's practice is concerned with